JANUARY 30TH, 7:00 PM – 8:00 PM CDT
Online EventPlease click on the following link to register for this reading.
Featured Readers:
Emily Mooney
Rylie Lawver
Opal Roberts-Baca
Rylie Lawver
Opal Roberts-Baca
WHAT?
Diannely Antigua & Caryl Pagel
Oct 17, 7:00 PM – 8:00 PM CDT
Online Event
Online Event
Please click on the following link to register for this reading.
Caryl PAGEL is the author of Out of Nowhere Into Nothing (FC2, fall 2020), Twice Told (University of Akron Press), and Experiments I Should Like Tried At My Own Death (Factory Hollow). She teaches in the NEOMFA program, directs the Cleveland State University Poetry Center, and is a publisher and editor at Rescue Press.
Diannely ANTIGUA is a Dominican American poet and educator, born and raised in Massachusetts. Her debut collection Ugly Music (YesYes Books, 2019) was the winner of the Pamet River Prize and a 2020 Whiting Award. She received her BA in English from the University of Massachusetts Lowell where she won the Jack Kerouac Creative Writing Scholarship; and received her MFA at NYU where she was awarded a Global Research Initiative Fellowship to Florence, Italy. She is the recipient of additional fellowships from CantoMundo, Community of Writers, and the Fine Arts Work Center Summer Program. Her work has been nominated for both the Pushcart Prize and Best of the Net. Her poems can be found in Washington Square Review, Bennington Review, The Adroit Journal, and elsewhere. Her heart is in Brooklyn.
Caryl PAGEL is the author of Out of Nowhere Into Nothing (FC2, fall 2020), Twice Told (University of Akron Press), and Experiments I Should Like Tried At My Own Death (Factory Hollow). She teaches in the NEOMFA program, directs the Cleveland State University Poetry Center, and is a publisher and editor at Rescue Press.
This event was made possible by generous contributions from the KCAI Gallery: Center for Contemporary Practice and the Creative Writing Program at the Kansas City Art Institute.
Carrie Lorig & Jane Wong
Oct. 17th, 7:00 PM – 8:00 PM CDT
Online Event
Please click on the following link to register for this reading.
Carrie LORIGis a school psychologist and a poet. She is the author of The Pulp vs. The Throne (Artifice Books) and several chapbooks, including The Blood Barn (Inside the Castle), The Book of Repulsive Women (Essay Press), and NODS. (Magic Helicopter Press). She is currently a doctoral student in School Psychology at Georgia State University.
Jane WONG's poems can be found in places such as Best American Nonrequired Reading 2019, American Poetry Review, Agni, Poetry, Third Coast, and others. Her essays have appeared in McSweeney's, Black Warrior Review, Ecotone, The Georgia Review, The Common, Shenandoah, and This is the Place: Women Writing About Home. A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, the Fine Arts Work Center, Willapa Bay AiR, Hedgebrook, the Jentel Foundation, and the Mineral School. She is the author of Overpour from Action Books, and How to Not Be Afraid of Everything, which is forthcoming from Alice James in 2021. She is an Assistant Professor of Creative Writing at Western Washington University.
This event was made possible by generous contributions from the KCAI Gallery: Center for Contemporary Practice and the Creative Writing Program at the Kansas City Art Institute.
Anaïs Duplan & Tim Earley
Sep 12, 7:00 PM – 8:00 PM CDT
Online Event
Please click on the following link to register for this reading.
Anaïs DUPLAN is a trans* poet, curator, and artist. He is the author of a forthcoming book of essays, Blackspace: On the Poetics of an Afrofuture (Black Ocean, 2020), a full-length poetry collection, Take This Stallion (Brooklyn Arts Press, 2016), and a chapbook, Mount Carmel and the Blood of Parnassus (Monster House Press, 2017). He has taught poetry at the University of Iowa, Columbia University, and will teach at Sarah Lawrence College and St. Joseph’s College. His video works have been exhibited by Flux Factory, Daata Editions, the 13th Baltic Triennial in Lithuania, Mathew Gallery, NeueHouse, the Paseo Project, and will be exhibited at the Institute of Contemporary Art in L.A in 2021.
As an independent curator, he has facilitated curatorial projects in Chicago, Boston, Santa Fe, and Reykjavík. He was a 2017-2019 joint Public Programs fellow at the Museum of Modern Art and the Studio Museum in Harlem. In 2016, he founded the Center for Afrofuturist Studies, an artist residency program for artists of color, based at Iowa City’s artist-run organization Public Space One. He works as Program Manager at Recess.
Tim EARLEY is the author of five collections of poems, including Poems Descriptive of Rural Life and Scenery (Horse Less Press, 2014), winner of the 2015 Mississippi Institute of Arts and Letters Poetry Award, and Linthead Stomp (Horse Less Press, 2016). He is the recipient of fellowships from the Fine Arts Work Center in Provincetown and Hawthornden Castle in Lasswade, Scotland. His work has appeared in many journals and anthologies, including Chicago Review, Denver Quarterly, Southern Humanities Review, jubilat, the Ecopoetry Anthology, and the Hick Poetics Anthology (edited by Abraham Smith and Shelly Taylor). He is the lead designer of the forthcoming tabletop role-playing game, Holler, an Appalachian dark fantasy that focuses on regional folklore, labor conflict, ecological collapse, and demonic infestation.
HADARA BAR-NADAV, ANDREW FARKAS & MARIANNE KUNKEL
Saturday, March 28th, 7pm, Epperson Auditorium, Kansas City Art Institute (4415 Warwick Blvd, KCMO)
Hadara BAR NADAV’s most recent book of poetry is The New Nudity (Saturnalia Books, 2017). Her previous books include Lullaby (with Exit Sign) (Saturnalia Books, 2013), awarded the Saturnalia Books Poetry Prize; The Frame Called Ruin (New Issues, 2012), Runner Up for the Green Rose Prize; and A Glass of Milk to Kiss Goodnight (Margie/Intuit House, 2007), awarded the Margie Book Prize. She is also the author of two chapbooks, Fountain and Furnace (Tupelo Press, 2015), awarded the Sunken Garden Poetry Prize, and Show Me Yours (Laurel Review/Green Tower Press 2010), awarded the Midwest Poets Series Prize. In addition, she is co-author with Michelle Boisseau of the best-selling textbook Writing Poems, 8th ed. (Pearson, 2011). Her awards include a National Endowment for the Arts Fellowship in Poetry, the Lucille Medwick Award from the Poetry Society of America, and others. She is a Professor of English and teaches in the MFA program at the University of Missouri-Kansas City.
Andrew FARKAS is the author of a novel: The Big Red Herring (KERNPUNKT Press), and two short fiction collections: Sunsphere (BlazeVOX Books) and Self-Titled Debut (Subito Press). His work has appeared in The Iowa Review, North American Review, The Cincinnati Review, The Florida Review, Western Humanities Review, Denver Quarterly, and elsewhere. He has been thrice nominated for a Pushcart Prize, including one Special Mention in Pushcart Prize XXXV and one Notable Essay in Best American Essays 2013. He holds a Ph.D. from the University of Illinois at Chicago, an M.F.A. from the University of Alabama, an M.A. from the University of Tennessee, and a B.A. from Kent State University. He is a fiction editor for The Rupture (the new iteration of The Collagist) and an Assistant Professor of English at Washburn University. He lives in Lawrence, Kansas.
Marianne KUNKEL is the author of Hillary, Made Up (Stephen F. Austin State University Press) and The Laughing Game (Finishing Line Press), as well as poems that have appeared in The Missouri Review, The Notre Dame Review, Hayden’s Ferry Review, Rattle, and elsewhere. She is an Assistant Professor of Creative Writing and Publishing at Missouri Western State University, where she directs the creative writing program. She holds an MFA in poetry from the University of Florida and a Ph.D. in English from the University of Nebraska-Lincoln. While earning her Ph.D. at the University of Nebraska-Lincoln, she was the managing editor of Prairie Schooner and the African Poetry Book Fund. She currently is the editor-in-chief of Missouri Western State University’s national literary journal, The Mochila Review, and advisor of its campus literary journal, Reach.
Hadara BAR NADAV’s most recent book of poetry is The New Nudity (Saturnalia Books, 2017). Her previous books include Lullaby (with Exit Sign) (Saturnalia Books, 2013), awarded the Saturnalia Books Poetry Prize; The Frame Called Ruin (New Issues, 2012), Runner Up for the Green Rose Prize; and A Glass of Milk to Kiss Goodnight (Margie/Intuit House, 2007), awarded the Margie Book Prize. She is also the author of two chapbooks, Fountain and Furnace (Tupelo Press, 2015), awarded the Sunken Garden Poetry Prize, and Show Me Yours (Laurel Review/Green Tower Press 2010), awarded the Midwest Poets Series Prize. In addition, she is co-author with Michelle Boisseau of the best-selling textbook Writing Poems, 8th ed. (Pearson, 2011). Her awards include a National Endowment for the Arts Fellowship in Poetry, the Lucille Medwick Award from the Poetry Society of America, and others. She is a Professor of English and teaches in the MFA program at the University of Missouri-Kansas City.
Andrew FARKAS is the author of a novel: The Big Red Herring (KERNPUNKT Press), and two short fiction collections: Sunsphere (BlazeVOX Books) and Self-Titled Debut (Subito Press). His work has appeared in The Iowa Review, North American Review, The Cincinnati Review, The Florida Review, Western Humanities Review, Denver Quarterly, and elsewhere. He has been thrice nominated for a Pushcart Prize, including one Special Mention in Pushcart Prize XXXV and one Notable Essay in Best American Essays 2013. He holds a Ph.D. from the University of Illinois at Chicago, an M.F.A. from the University of Alabama, an M.A. from the University of Tennessee, and a B.A. from Kent State University. He is a fiction editor for The Rupture (the new iteration of The Collagist) and an Assistant Professor of English at Washburn University. He lives in Lawrence, Kansas.
Marianne KUNKEL is the author of Hillary, Made Up (Stephen F. Austin State University Press) and The Laughing Game (Finishing Line Press), as well as poems that have appeared in The Missouri Review, The Notre Dame Review, Hayden’s Ferry Review, Rattle, and elsewhere. She is an Assistant Professor of Creative Writing and Publishing at Missouri Western State University, where she directs the creative writing program. She holds an MFA in poetry from the University of Florida and a Ph.D. in English from the University of Nebraska-Lincoln. While earning her Ph.D. at the University of Nebraska-Lincoln, she was the managing editor of Prairie Schooner and the African Poetry Book Fund. She currently is the editor-in-chief of Missouri Western State University’s national literary journal, The Mochila Review, and advisor of its campus literary journal, Reach.
ROBERT LONG FOREMAN, HAI-DANG PHAN & STEFANIE WORTMAN
Saturday, February 22nd, 7pm, Epperson Auditorium, Kansas City Art Institute (4415 Warwick Blvd, KCMO)
Robert LONG FOREMAN has won a Pushcart Prize and published two books, AMONG OTHER THINGS, a collection of essays, and I AM HERE TO MAKE FRIENDS, a collection of short fiction. His novel WEIRD PIG comes out October 2020. He lives in Kansas City.
Hai-Dang PHAN is the author of Reenactments: Poems and Translations (Sarabande, 2019). His work has been recognized by fellowships and scholarships from the National Endowment for the Arts, Bread Loaf Writers’ Conference, and the American Literary Translators Association, and has been appeared in The Fabulist, The Iowa Review, New England Review, The New Yorker, Poetry, Prelude, and Best American Poetry 2016. Born in Vietnam and raised in Wisconsin, he currently teaches at Grinnell College and lives in Iowa City.
Stefanie WORTMAN is the author of In the Permanent Collection. Her poems and essays have appeared in the Boston Review, Michigan Quarterly Review, Copper Nickel, and other publications. She lives in Kansas City.
Hai-Dang PHAN is the author of Reenactments: Poems and Translations (Sarabande, 2019). His work has been recognized by fellowships and scholarships from the National Endowment for the Arts, Bread Loaf Writers’ Conference, and the American Literary Translators Association, and has been appeared in The Fabulist, The Iowa Review, New England Review, The New Yorker, Poetry, Prelude, and Best American Poetry 2016. Born in Vietnam and raised in Wisconsin, he currently teaches at Grinnell College and lives in Iowa City.
Stefanie WORTMAN is the author of In the Permanent Collection. Her poems and essays have appeared in the Boston Review, Michigan Quarterly Review, Copper Nickel, and other publications. She lives in Kansas City.
KCAI CREATIVE WRITING DOUBLE MAJORS READING
Saturday, January 25th, 7pm, Epperson Auditorium, Kansas City Art Institute (4415 Warwick Blvd, KCMO)
Bri CROZIER
Rylie LAWVER
Pyrindaria RILEY
Mia ROBBINS
CLAYTON ADAM CLARK, JUDITH ROITMAN & CHRIS TONELLI
Saturday, November 9th, 7pm, KCAI Crossroads Gallery: Center for Contemporary Practice (1819 Grand Blvd. KCMO)
Clayton Adam CLARK lives in Saint Louis, his hometown, where he works as a public health research scientist and volunteers for River Styx magazine. His debut poetry collection, A Finitude of Skin, won the 2017 Moon City Poetry Award and was published by Moon City Press in November 2018. His poems have recently appeared in Poetry Daily, The Massachusetts Review, Mid-American Review, Cimarron Review, and elsewhere. He earned the MFA in creative writing at Ohio State University and is studying clinical mental health counseling at University of Missouri-St. Louis.
Judith ROITMAN’s books are No Face (First Intensity Press) and Roswell (theenk Books); her most recent chapbook is Provisional (dancing girl press). Her work has appeared most recently in Equalizer, the tiny, December, Galataea Resurrects, E.Ratio, YEW, Futures Trading, Eleven Eleven, and Otoliths. She lives in Lawrence, KS.
Chris TONELLI is a founding editor of the independent poetry press Birds, LLC and co-director of the NC Book Festival. For thirteen years, he has hosted the So & So Reading Series, and he edits the online So & So Magazine. He works in the Libraries at NC State University and co-owns So & So Books in downtown Raleigh, where he lives with his wife Allison and their kids Miles and Vera. He is the author of five chapbooks and two full-length poetry collections, most recently Whatever Stasis (Barrelhouse Books).
Chris TONELLI is a founding editor of the independent poetry press Birds, LLC and co-director of the NC Book Festival. For thirteen years, he has hosted the So & So Reading Series, and he edits the online So & So Magazine. He works in the Libraries at NC State University and co-owns So & So Books in downtown Raleigh, where he lives with his wife Allison and their kids Miles and Vera. He is the author of five chapbooks and two full-length poetry collections, most recently Whatever Stasis (Barrelhouse Books).
DARREN CANADY, HYEJUNG KOOK & DEREK GRAF
Saturday, September 14th, 7pm, KCAI Crossroads Gallery: Center for Contemporary Practice (1819 Grand Blvd. KCMO)
Hyejung KOOK’s poetry has recently appeared or is forthcoming in The World I Leave You: Asian American Poets on Faith and Spirit, Half Mystic Radio, The Massachusetts Review, Glass: A Journal of Poetry, Hyphen Magazine, and Pleiades. Other works include an essay in The Critical Flame and a chamber opera libretto. Hyejung was born in Seoul, Korea and now lives in Kansas with her husband and their two young children. She is a Fulbright grantee and a Kundiman fellow.
Derek GRAF's poems have appeared in Salt Hill, The Boiler, Portland Review, Booth, and elsewhere. He is currently a PhD student in creative writing at the University of Kansas, and he completed his MFA at Oklahoma State University. Starting this summer, he joined the Charlotte Street Foundation as one of their 2019-2020 Studio Residents.
KEVIN KILROY, MERCEDES LUCERO & BEN NICKOL
Saturday, September 14th, 7pm, KCAI Crossroads Gallery: Center for Contemporary Practice (1819 Grand Blvd. KCMO)
Kevin KILROY is a writer and educator who works to blend genres and reimagine learning. His novella The Escapees (Spuyten Duyvil) was described as "a philosophical mystery set in a city where keys are plenty but locks are few." His book of poetic fictions, Dead Ends or Laughing Gas (Spuyten Duyvil), is "two-parts pulp, one-part Genet, with a twist of Beckettian humor.” He sells progressive science curriculum for Activate Learning, and he teaches at the Kansas City Art Institute. Currently, he is a Writer-in-Residence at the Charlotte Street Foundation.
Mercedes LUCERO is an Afro-Latinx writer and the author of Stereometry (Another New Calligraphy 2018). She is the winner of the Langston Hughes Creative Writing Award for Poetry and you can see more of her work at www.mercedeslucero.com.
Ben NICKOL was raised in Idaho and attended the University of Arkansas and the University of Notre Dame, where he played basketball for the Fighting Irish. His prose has been recognized by the Arkansas Arts Council, Best American Sports Writing, and the University of Arkansas, among other organizations, and he's the author of the books Sun River (2019), Adherence (2016) and Where the Wind Can Find It (2015). His stories and essays have appeared widely, in Alaska Quarterly Review, Boulevard, Fourth Genre, Crab Orchard Review, Fugue, Tin House Online, The Los Angeles Review and elsewhere. In 2018, he joined the Creative Writing faculty at Wichita State University.
Mercedes LUCERO is an Afro-Latinx writer and the author of Stereometry (Another New Calligraphy 2018). She is the winner of the Langston Hughes Creative Writing Award for Poetry and you can see more of her work at www.mercedeslucero.com.
Ben NICKOL was raised in Idaho and attended the University of Arkansas and the University of Notre Dame, where he played basketball for the Fighting Irish. His prose has been recognized by the Arkansas Arts Council, Best American Sports Writing, and the University of Arkansas, among other organizations, and he's the author of the books Sun River (2019), Adherence (2016) and Where the Wind Can Find It (2015). His stories and essays have appeared widely, in Alaska Quarterly Review, Boulevard, Fourth Genre, Crab Orchard Review, Fugue, Tin House Online, The Los Angeles Review and elsewhere. In 2018, he joined the Creative Writing faculty at Wichita State University.
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